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 Wysłany: Wto 10:33, 04 Wrz 2007 Temat postu: [RS] Inland.Empire.R5.LIMITED.xVID-UNiVERSAL |
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Inland.Empire.R5.LIMITED.xVID-UNiVERSAL
| Kod: |
http://imdb.com/title/tt0460829/
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Lynch has very high artistic integrity.
Lynch will never tell us what any of his films are about - if indeed he knows or would ever admit that a film might be about something in particular. There can be no evaluation of any specific interpretive approach. There must be such an approach, whether conscious or not. Lynch would likely disagree. He's right - and some of the disappointed reviews expressed here by his fans are nice examples of why this is so. I am sure he would also understand and agree with my rebuttal - "Who cares, it's fun"
When fans either gush about the brilliance of a piece of work or resort to name-calling ("pretentious hipsters" ????) because of their frustration with a film, the film is not going to allow much of a middle-ground (like most creations which achieve the status of art).
If you haven't seen the film, try this review on. If it doesn't fit in any way, then I can't recommend seeing Inland Empire. If you do keep reading, get it into your head that there is no spoiler here, really. The interpretation offered below is not even an opinion -it is simply a facile, creative construct I use heuristically for talking about the film after my first viewing.
If you have seen this film, you will probably view the interpretation below as too simplistic - that is, if you got it. That's fine. I do not care, but feel free to send me a note if you want to discuss it. Keep in mind - as I stated above - I am simply using this interpretation as a means for discussion. Don't take it too seriously, I really don't care to defend this.
Laura Dern should win two academy awards for Inland Empire - for Best Actress as Nikki and for best supporting actress as Nikki's role of a lifetime - Susan. But she won't get nominated because this film will be systematically ignored by the mainstream.
Why bring up acting talent so early in the review? Because this inherently non-linear film (though it is in some ways more linear and plot driven than Eraserhead, Mulholland Drive and Lost Highway) offers one of many possible (possibly an infinite number of) linear interpretations - the film is/could be about acting and losing one's identity in a role. It could all be going on in Dern/Nikki/Susan's head as she comes to grips with what she is doing in the three levels of "reality" portrayed.
If this particular interpretation were chosen, the free association between the roles played by the Polish actress/victim/perpetrator of the film "47" and that played by Dern's actress/victim/perpetrator in "Blue Skies" create a meta-text which, though unseen and unexplicated throughout the film, nevertheless identifies its subject as the disassociation and power of performance and creativity in the production of fiction/reality/drama.
This interpretation is suggested by all of the many seemingly out of place and jarring details in the film - the usual red herrings Lynch throws at us to suggest that there may be some linear subtext in all of the sensual experience offered by his sumptuous and immersive films.
- The placement of the Polish actress into a couple of seemingly disparate and unconnected roles (which, in fact make the creation of "Blue Skies" and the folklore surrounding its predecessor "47" unite at a different scale of interpretation)
- and especially their audience (who is a key to this interpretation because of its chronological placement in the narrative and the identity of the viewer).
-Nikki's opening and closing scenes and Grace Zabriskie's foreshadow which identify closure for the meta-plot.
- The seemingly anachronistic white noise and record-cutting scenes and sound-cues, which in fact occur at crucial transitions between the alternative realities inhabited by Nikki's disassociated personalities.
If any of you find this interpretation compelling and would like to hear more about it, feel free to send me a note with specific questions or comments. It is, in my opinion, just as worthless as any other interpretation of art - probably better left unexpressed and unexplained. But if having something linear to talk about helps you, you are welcome to further pursue it. Do not mistake this interpretation as an opinion. I have no opinion concerning the plot of this film.
For my part, I completely understand the film through and/or without the interpretation above. Which pathway to the palace (is it Alan Smithee's House on the set?) I might chose, whether through the back alley or the front entrance to the studio (as the interpretation above offers) - I get it - just as I always "get" Lynch more than most directors.
For fellow admirers of Lynch: IMO, This is a more coherent film than Eraserhead, a more upbeat and enjoyable film than Lost Highway, a less commercial film than Mulholland Drive (though it does bear some thematic resemblances largely because both films are overt self-referential interpretations of American media culture). You might talk about it for hours afterward, but this discussion will mostly only help you to know the people you attended it with better. Let it pour through your mind and soul.
No profitable comparison to Lynch's more linear films can be made, although, on a second viewing of IE I may wish to spend some time thinking about the connection between the exploitation themes in Elephant Man and this film.
Of course, the directing, camera work, and especially the sound design are flawless. Goes without saying.
| Kod: |
http://rapidshare.com/files/53302139/Inland.Empire.R5.LIMITED.xVID-UNiVERSAL_a.part1.rar
http://rapidshare.com/files/53302338/Inland.Empire.R5.LIMITED.xVID-UNiVERSAL_a.part2.rar
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